Back in 1993, Slavek Kwi, aka Artificial Memory Trace, was working in a print shop in Brussels, Belgium. During that time he recorded several of the machines as he must have been captured by their rhythm and their hidden melodies. These recordings are extremely clear and precise — the noise we here is the noise of the machine. There is some walkie-talkie squawking captured periodically which doesn’t take away from the recordings, rather it adds an unknown to the repetitions.
My first few listens through Reprint, I was not bothered that I was unaware what was creating the sounds. I assumed it was a factory of some sort, but what kind of factory, I did not know. In reading the liner notes later, I learned that this was a recording of a print shop. The liner notes also provide some specificity to what we are listening to.”Part I” is one 40-minute track, but it is broken down as such:
1. Lift for paper 0:51
2. Air (suction) 1:13
3. Ventilation 0:25
4. Printing 26:06
5. Assembling machine I. 9:26
6. Cutting of paper 2:04
7. Photo-machine 1:10
“Part II” is eight minutes of an assembling machine.
What attracts me to Reprint is the repetition of the sounds, the rhythm of the machines. And as soon as I start grooving to a particular segment, Kwi moves me to another machine with its own metallic grind and I have to readjust. Kwi licensed Reprint so that it is available for remixes.